Dead air hangs over once-occupied scenes, landscapes that have caused their own death. A unique kind of rot is represented here: one that is not structural but spiritual, a para-natural abandonment that may one day lead to a collapse that has yet to occur. Perhaps refracted off of the condition of the film’s subjects—prison does not allow for itself nor its subjects to decay—Landscape Suicide sees collapse as a perpetually imminent consequence of the ruin we cause each other.