The Cinematography of Sean Price Williams: An Exercise in Grit, Fluidity, and Realism
Sean Price Williams harnesses fluid camera movement reminiscent of art cinema of the 1960s and 1970s in conjunction with heavy zoom effects, naturally sourced lighting, and imperfect exposure. In doing so, he offers an intimate perspective into characters’ psychological dispositions while portraying tension and conflict with a sense of urgency. Williams illustrates a portrait of real life for the viewer, free of glorification and rough around the edges as reality tends to be.
The Different Approaches to the Angry-Man Genre: Juxtaposing the Long-Term Legacies of Sholay and Zanjeer
Sholay represented the start of a new era by its politically subversive response to the circumstances of the Emergency and the birth of the “curry western.” The film not only introduced characters who took up vigilantism and did not glorify the government but also included romance and friendship as key themes to serve side-by-side with action and justice, influencing future films to also mix these themes together and challenge political authority.